I've been terrible about maintaining this blog.
True.
12.19.2012
12.13.2012
11.28.2012
Dear Friends, Family, and Supporters:
This year we launched a volunteer-run radical education project for
Pennsylvania prisoners called Address This! Our goal was to bring
a transformative collective learning resource to people living in solitary
confinement and/or maximum security facilities throughout the state, who more
often than not have no access to other resources or programs.
Although the costs for this program are quite low – only $40 per
person for a six-month course! – we need your support by January 1st to keep this program
going!
With 200 participants a year (100 each semester), our annual budget
is roughly $8,000/year for costs including course readers, dictionaries,
shipping/postage costs, xeroxes and other materials. This is why we’re
appealing to you to help fund this important work! We need 200 people
to give $40 in order to make the next two semesters of 2013 possible. If
you are unable to give the full $40 yourself, find a friend and each give $20!
Students in enrolled in Address This! currently have the option of registering for one of
the following five classes: Black Social Movements from Civil
Rights to Hip Hop; Art and Social Movements; Transformative Justice; Latino
History and Contemporary Issues; Control and Resistance: The US Prison System
and its Oppositions.
And every
month, here’s what happens:
- Volunteers send participants materials divided into thematic units.
- Participants reflect and respond to those materials, guided by discussion questions.
- Participants’ responses are transcribed by a team of volunteers, combined into a single document, and then circulated to other prisoners who are taking the course.
Reflecting upon receiving these responses, one participant wrote: “I enjoy
seeing other people’s views, especially when someone digs below the surface –
speaking forward with honesty, real feeling and emotions, not being afraid to
share their real life experiences, pain, trauma, strengths, weaknesses and
hopes.”
While the U.S. Prison system seeks to break existent ties of affinity and
community through policies of isolation, censorship and silence, Address
This! alternately
works to contribute to the rebuilding and enlarging of those alliances and
support networks. In the words of co-founder Robert Saleem Holbrook, our aim is
to “invoke critical thinking in the hopes that the participants in the
course will emerge from it with a new outlook on their lives and their present
situation, believing that they can change not only themselves but also their
circumstances.”
This is why we’re appealing to you for help funding
this vital work by January 1st! Again, it
will take only 200 people giving $40 each to insure that hundreds of PA
prisoners have access to these classes in 2013!
We heartily welcome your support in this endeavor. In
fact, we can’t do it without it!
In struggle and solidarity,
The Address This Team!
P.S. Don't forget to write Address This! in the "Designation Field" when you donate.
Also, if you would like to receive a special thank you gift in return, email us at addressthispa@gmail.com with your physical address.
11.12.2012
10.30.2012
art can still be contoversial (who knew?)
When the silencers make the noise louder... the irony is clear and concentrated.
The University of Wyoming uninstalled the art below because energy officials and state representatives were offended and threatened to cut funding.
Oh UW, despite it all I love you, but you, like the rest of us, need to work on your energy dependency issues.
High Country News article
New York Times article
Casper Star Tribune article
The University of Wyoming uninstalled the art below because energy officials and state representatives were offended and threatened to cut funding.
Oh UW, despite it all I love you, but you, like the rest of us, need to work on your energy dependency issues.
High Country News article
New York Times article
Casper Star Tribune article
10.29.2012
rain day reading
New and old articles by Rebecca Solnit on the always solid Guernica website: http://www.guernicamag.com/
"Our Words Are Our Weapons"
"Men Explain Things to Me"
Rebecca Solnit and David Graeber
"Our Words Are Our Weapons"
"Men Explain Things to Me"
Rebecca Solnit and David Graeber
scarier than Halloween will ever be
Recommended Reading:
The recent Mother Jones cover story by Shane Bauer: "No Way Out"
article on solitary confinement
On Saturday, I went with friends to "Terror Behind the Walls," a longstanding annual haunted house at the infamous Eastern State Penitentiary here in Philadelphia. As we stood in line, we had a discussion about whether or not we would be scared, about how fear might set in. We contemplated temporary, seasonal employees with stage make-up facial wounds and how they might lunge from a corner in the dark, and I tried to keep myself from thinking too much. I figured I could handle a "zombie" whispering in my ear, but I wasn't sure I could silence the raw irony of the location; the event itself.
Thousands of people paying $40-$100+ each to walk through a world changing model prison that operated for 140 years and have themselves "scared" in the name of fun.
I've been aware of, and tangentially and directly related to, "prison work" for years now. There are many dedicated, compassionate people who are trying and fighting (from many angles) to combat the current state of incarceration in the U.S. For anyone, surely, the sheer statistics must be frightening.
The number of people incarcerated in the U.S. is staggering: 6 million people are under correctional supervision.
Then compare that to the number from ANY other country in the world: 5% of the world's population, 25% of the world's prisoners
Disproportionate is the all too generous word.
Yes, the tour was scary, and no, I couldn't keep from thinking too much. This is our history. This is what people do to other people--and it is growing, and people are profiting.
I love Halloween. There is something enjoyable about being fake scared. For one, I would much rather be fake scared.
history of solitary confinement
10.28.2012
love comes in all sizes
The VONA/Voices workshop is
looking for some love, from people who love to read, from people who
love to write, and from you, who understands that writers-of-color
deserve an opportunity to have serious discussions about their work.
VONA
has been providing workshops for writers-of-color for fourteen years.
Join founders and directors, Elmaz Abinader, Junot Diaz, Victor Diaz and
Executive Director, Diem Jone in expanding our scholarships and our
capabilities to invite more writers and run more workshops.
We ask you to go to our Indiegoo campaign page http://www.indiegogo.com/ voicesatvona and show some love. And Love comes in all sizes, big and small.
10.20.2012
Nov. 10th Literary Salon
please spread the word...
STILL UNTITLED: A Quarterly Literary Salon
Saturday, November 10th@ Cindergarden
4823 Baltimore Ave
Philadelphia
doors at 6:30
featured readers begin at 7pm sharp
Then, after an intermission, the salon will continue to the open reading portion of the evening.
All are encouraged to bring work of their own or some of their favorite work by others to share
(about 5-10min worth of reading). Names will be placed in the hat and selected until the event
ends at 9:30pm.
If you can, please bring food or drink to share. As always, the event is free, but this time we
will pass a hat to contribute to the travel costs of the featured readers.
Featured readers joining us from Newark and Pittsburgh:
Sara J. Grossman holds an MFA in poetry from Rutgers-Newark. She was the recipient of a 2012 Hedgebrook residency, the 2011 Betty Gabehart Prize in poetry, and fellowships from the New York State Writers Institute and the West Chester Poetry Center. Her poems have been published in Cincinnati Review and Memorious. She is currently a doctoral student in American Studies at Rutgers-Newark, where she works on the development of the American industrial and postindustrial metropolis.
Adriana E. Ramirez is a nonfiction writer and performance poet with
over fifteen years experience in theater, spoken word, and advocacy.
Once ranked the 26th slam poet in the world (iwps 2006), she helped
found and co-hosted the Latino/Indigenous Showcase at the National
Poetry Slam; she now serves as creative director of Pittsburgh Poetry
Collective and slammaster of the Steel City Slam. Her poems and
writings have appeared on the internet, on subway station walls, and
occasionally, on pieces of dead wood. She loves technology and
refreshments—mineral water, limes, and cheap Mexican food. Adriana
lives in Pittsburgh, where she is writing a book about her death
fantasies, Colombia, and the way we tell stories around violence. She
roots for el tricolor in the World Cup and teaches in the English
Department at The University of Pittsburgh.
STILL UNTITLED: A Quarterly Literary Salon
Saturday, November 10th@ Cindergarden
4823 Baltimore Ave
Philadelphia
doors at 6:30
featured readers begin at 7pm sharp
Then, after an intermission, the salon will continue to the open reading portion of the evening.
All are encouraged to bring work of their own or some of their favorite work by others to share
(about 5-10min worth of reading). Names will be placed in the hat and selected until the event
ends at 9:30pm.
If you can, please bring food or drink to share. As always, the event is free, but this time we
will pass a hat to contribute to the travel costs of the featured readers.
Featured readers joining us from Newark and Pittsburgh:
Sara J. Grossman holds an MFA in poetry from Rutgers-Newark. She was the recipient of a 2012 Hedgebrook residency, the 2011 Betty Gabehart Prize in poetry, and fellowships from the New York State Writers Institute and the West Chester Poetry Center. Her poems have been published in Cincinnati Review and Memorious. She is currently a doctoral student in American Studies at Rutgers-Newark, where she works on the development of the American industrial and postindustrial metropolis.
Adriana E. Ramirez is a nonfiction writer and performance poet with
over fifteen years experience in theater, spoken word, and advocacy.
Once ranked the 26th slam poet in the world (iwps 2006), she helped
found and co-hosted the Latino/Indigenous Showcase at the National
Poetry Slam; she now serves as creative director of Pittsburgh Poetry
Collective and slammaster of the Steel City Slam. Her poems and
writings have appeared on the internet, on subway station walls, and
occasionally, on pieces of dead wood. She loves technology and
refreshments—mineral water, limes, and cheap Mexican food. Adriana
lives in Pittsburgh, where she is writing a book about her death
fantasies, Colombia, and the way we tell stories around violence. She
roots for el tricolor in the World Cup and teaches in the English
Department at The University of Pittsburgh.
10.16.2012
I'm in the movie--I'm not in the movie
We made the trailer!
Check out the poster in the Sam Ash. Yep.Yep.
http://www.detonatormovie.com/#!trailer
Detonator Trailer from mortar films on Vimeo.
Update: Detonator was great. We thoroughly enjoyed our movie debut. This life is so random at times...
Check out the poster in the Sam Ash. Yep.Yep.
http://www.detonatormovie.com/#!trailer
Detonator Trailer from mortar films on Vimeo.
Update: Detonator was great. We thoroughly enjoyed our movie debut. This life is so random at times...
10.10.2012
of support and beautiful exceptions
The Leeway Foundation is up there with Hedgebrook in the category of how does this exist?
But damn do I appreciate places of exception.
And, no, not just because I recently received notice of being awarded an Art and Change grant.
art and change announcement
More because of how beautifully The Leeway Foundation does what it does. How it continues to inspire, push and promote an inspiring cadre of artists.
(For example, Michelle Ortiz, who has an art opening on Oct. 17th with her collective, Las Gallas.)
more info on las gallas and the show opening here
The Art and Change grant money will go towards the publication of the VONA anthology, the forthcoming book from my small press, Thread Makes Blanket.
Again and again, thank you Leeway.
But damn do I appreciate places of exception.
And, no, not just because I recently received notice of being awarded an Art and Change grant.
art and change announcement
More because of how beautifully The Leeway Foundation does what it does. How it continues to inspire, push and promote an inspiring cadre of artists.
(For example, Michelle Ortiz, who has an art opening on Oct. 17th with her collective, Las Gallas.)
more info on las gallas and the show opening here
The Art and Change grant money will go towards the publication of the VONA anthology, the forthcoming book from my small press, Thread Makes Blanket.
Again and again, thank you Leeway.
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